Studio-electronics Boomstar Manual de usuario Pagina 17

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Studio Electronics Boomstar Manual 13 Panels
5.2.4 VCO 2 - Voltage Controlled Oscillator 1
A
word about the
Oscillators as a whole:
OscillatorsaretheAdam(andEve)ofAnalogsynthesis.Anoscillatorproducesperiodicorregularlyrepeating
waveforms, e.g., pitched sounds. The Oscillator’s tuning controls alter the frequency or pitch of the oscillators,
whereas its wave shape selectors determine the harmonic spectrum of the signal, its basic timbre, or tone
coloration.WehereatStudioElectronicsthinkVoltageControlledOscillatorsstillsoundbest.
What do these tone colors sound like, you wonder?
Triangle: Fluty, with odd harmonics like the square wave, but its amplitude is quite
weak in comparison to its fundamental. The Triangle possesses more brilliance
than the similarly shaped sine wave.
Sine: The most elemental waveform with its smooth fundamental and limited
harmonics—perfect for sub waveforms, simple “worm” leads, and enriching and
thickening the sound.
Sawtooth: Bright, buzzy, brassy—the richest harmonically—features a very
smoothtonewhenalow-passlterisengaged;itcontainsbothevenandodd
harmonics of the fundamental frequency.
Square: In its even state, it is a full bouncy sound—a bass beast for many. Near the
edges of its duty cycle, or width, It becomes a “clavi,” reedy, nasal sound, with odd
harmonics only.
The
RANGE
switch selects the octave:
LO
(lowfrequency—clicksandticksbelowtheaudiblerangeforhumans;clicks
canmakeforveryinterestingrhythmicpulsesandsequences),
32’
,
16’
,
8’
,
4’
,
2’
. The
LO
setting of Oscillator 2 can be
employedasaveryexiblemodulator.Thesefootpitchnumberscomefromthelengthsoforganpipesinthegreat
cathedrals and churches of old—half the length equals double the pitch.
The
SYNC
switch locks the pitch of Oscillator 2 to follow the pitch of Oscillator 1 in hard synchronization, so that OSC
2 will tune only to the harmonic frequencies of Oscillator 1. Intermediate frequencies of Oscillator 2 will produce
unusual, “metallic” wave shapes and timbres; both Oscillators sharing the same base frequency makes all of this
possible.
The
SUB LEVEL
switchselectsahalforfullvolumeoctavedownSquarewavewithacenteroposition—acommon
feature of the Boomstar enabling quick escapes from more complex programming settings.
The
WAVE MIX
switch selects single waveform settings or blending combinations of Triangle or Saw with Sine or
Squarewaveforms.Thecenterpositionisnull,oro.
The
PULSE WIDTH
knob sets the width of the Square waveform, ranging from wide, square rectangular forms to
narrow, nasally tall skyscraper-like shapes. A classic Square wave dials in a little left of the 12 o’clock knob setting—
for that wonderfully warm and yet hollowed-out rubbery tone.
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